Experience Design

Working with an organization to engage its audience in dynamic new ways, Mr. Fülling and Marije Nie offer classical music, dance, and theatre companies as well as conventions and municipal organizations new ways to animate their sites and standard repertoire. They prioritize the audience members’ experience and explore innovative ways for them to interact with the art from spectacles leading audiences through Italian towns and interactive salon evenings to new interpretations of classical repertoire for established institutions such as the Long Beach Opera, the Netherlands Philharmonic, Cappella Amsterdam and Dansgroep Krisztina de Chatel. Ms. Nie’s groundbreaking work with Radio Kootwijk brought together professional artists with people from the business community to creatively interact.

Curriculum Vitæ of Experience Design Projects

API (Aleanza per l’Italia):

         Chirico

 

Cappella Amsterdam & Dansgroep Krisztina de Châtel: 25 city NL tour 2004

Obscura. (Koolmees, Mediæval arr. Fülling & Hill). Concept w/Krisztina de Châtel & Daniel Reuss: Medieval music & modern dance,

          Dir/Chor: Krisztina de Châtel, Music Dir. Daniel Reuss.

 

 

Comune di Manciano

         Vivamus

 

Confraternita di S. Pancrazio, Calvi dell’Umbria:

 

Contrapunkt Festival, Schloß Bröllin, (D)

Mura  (Codex Calixtinus) concept w/Ursula Maria Berzborn. Nuns vespers for pilgrims to Santiago de Compostella.

         Dir. Ursula Maria Berzborn. Music dir. Martin Ertl & Christopher Fülling w/Eric Mentzel. w/Grotest Maru  & Fata Organa

 

Corso all’Anello, Narni (It) 2009

La Clausura Sconfinata (Chant, Leonarda, _____). Concept w/Julia Pond.

Dir. Julia Pond, Music dir. Candace Smilth. Chor. Lori Beli-Love Corso al’Anello, Narni & Orvieto(It). w/Isadora Duncan Dance Company

http://artmonastery.org/projects/la-clausura-sconfinata-the-cloister-without-walls

 

Duisburg

Grotest Maru: Mura (Lingk, Webber, Codex Calixtinus) w/Ursula Maria Berzborn, Nils Dümcke, & Reinhard Zapka. Dir. Ursula Maria Berzborn, Music Dir. Marc Lingk & Christopher Fülling, Designers: Reinhard Zapka & Nils Dümcke (scenic), Ursula Maria Berzborn (costume), ______ (lights). w/Grotest Maru

 

First Fridays Las Vegas

First Vegas Burn

 

w/cast of Burning Opera, ____, _____, ______

 Giornate Medioevale, Poggio di Otricoli (It) 2008-10

K. Wilhelm Denkmal, Kyffhaüser, Thüringen, (D) 2003

Zeitreise des Barbarossa (Vogelweide, Wolkenstein, Beethoven, Ertl) w/Ursula Maria Berzborn, Nils Dümcke, & Reinhard Zapka. Dir. Ursula Maria Berzborn, Music Dir. Martin Ertl & Christopher Fülling, Designers: Reinhard Zapka & Nils Dümcke (scenic), Ursula Maria Berzborn (costume), ______ (lights)

 

Long Beach Opera. CA 1998

LA Indian Queen (Purcell & Dryden/Gomez-Peña)

         Concept w/Guillermo Gomez-Peña, Dir. David Schweizer, Music dir. Andreas Mitisek, Chor. Sarah Shelton-Mann.

 

OEROL Festival: Terschelling (NL) 2001

Grÿndevesper/Ubbo’s Droom (Gregorian chant, 13thC English & Swedish polyphony)

         Concept w/Ursual Maria Berzborn: Reconstruction of a 13thC Frisian Compline office for location theater. 

         Dir. Ursula Maria Berzborn, Music Dir. Christopher Fülling.

 

Proloco di Calvi dell’Umbria:

 

Trickster: The Isle of Noises (Quilter, Freeman… salon of many acts. Text by Beth ____) w/Joy Brooke Fairfield & Stephanie Mufson. Dir. Joy Brooke Fairfield. Music dir. Moses ____. Center SF 2012